She was with these movements—akin to them, she felt it at times intensely—and yet something eluded her. In the corner of the room were two hockey-sticks and a tennis-racket, and upon the walls Ann Veronica, by means of autotypes, had indicated her proclivities in art. “A man who does not touch his wife, who ignores his wife, what kind of man is he? I am not sick any more. Let us be gone. But I'd a mind to try whether you really loved him as much as you pretended. Was it that the struggle of things to survive produced as a sort of necessary byproduct these intense preferences and appreciations, or was it that some mystical outer thing, some great force, drove life beautyward, even in spite of expediency, regardless of survival value and all the manifest discretions of life? She went to Capes with that riddle and put it to him very carefully and clearly, and he talked well—he always talked at some length when she took a difficulty to him—and sent her to a various literature upon the markings of butterflies, the incomprehensible elaboration and splendor of birds of Paradise and hummingbirds’ plumes, the patterning of tigers, and a leopard’s spots.
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