Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. This young man, whose features, though rather plain and coarse, bore the strongest impress of genius, and who had a dark gray, penetrating eye, so quick in its glances that it seemed to survey twenty objects at once, and yet only to fasten upon one, bore the honoured name of William Hogarth. I don’t know anyone.
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