“Have you ever been to the opera, Ann Veronica?” said Ramage. Restraining with an effort his intense curiosity, he talked of general subjects only, trying his best to entertain her. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. “My God! Ann Veronica,” he said, struggling to keep his hold upon her; “my God! Tell me—tell me now—tell me you love me!” His expression was as it were rapaciously furtive.
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