Poor thing! how beautiful she looks! but how like death!" Deathlike, indeed, was the repose of the sleeper,—deathlike and deep. She bent down. She began to weep in long, aching sobs. Why would Shari tell Michelle or anyone outside the family a name? Why would Michelle ask? In 1965, Sheila McCloskey loved to watch two subjects in particular with binoculars: birds and neighbors.
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