“Hold on. Having secured this implement, he burst from his conductor, and, leaping into the hatch, as clowns generally spring into the clockfaces, when in pursuit of harlequin in the pantomime,—that is, back foremost,— broke into a fit of loud and derisive laughter, kicking his heels merrily all the time against the boards. The sing-song girl, her fiddle broken, was beating her forehead upon the floor and wailing: Ai, ai! Ai, ai! Spurlock—or Taber, as he called himself—sat slumped in a chair, staring with glazed eyes at nothing, absolutely uninterested in the confusion for which he was primarily accountable. She must not show anything.
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